Lonnie Holley: If I Be Left Behind
Saturday, April 19 at 7pm

Artist Lonnie Holley will be at the Studio Museum for a limited engagement.

This musical performance will include Holley in collaboration with musician Will Glass from the experimental rock band Dirty Projectors. Before the performance, there will be a discussion with the audience based on video footage documented during Lonnie Holley’s activities at and around The Studio Museum in Harlem. Get your ticket here

schomburgcenter
schomburgcenter:

Join us Thursday, April 24, 2014 at 6:30pm for Visually Speaking: A Worldview from Guyana.
Many contemporary depictions of Guyana and its people—whether via the image or the written word—continue to center on the exotic, the colonial, and the touristic. Award-winning photographers Nikki Kahn and Keisha Scarville will share their artistic visions and portfolios and explore their ongoing work to tell Guyana’s stories and to counter historic and contemporary stereotypes about the former British colony and its wide-reaching Diaspora.
For more information and to RSVP, click here. 

schomburgcenter:

Join us Thursday, April 24, 2014 at 6:30pm for Visually Speaking: A Worldview from Guyana.

Many contemporary depictions of Guyana and its people—whether via the image or the written word—continue to center on the exotic, the colonial, and the touristic. Award-winning photographers Nikki Kahn and Keisha Scarville will share their artistic visions and portfolios and explore their ongoing work to tell Guyana’s stories and to counter historic and contemporary stereotypes about the former British colony and its wide-reaching Diaspora.

For more information and to RSVP, click here

unforgettingla

unforgettingla:

Documentation of artist Senga Nengudi’s “Ceremony for Freeway Fets,” an improvised performance that took place under a freeway overpass on Pico Boulevard in 1978. She’s been on our worklist for months and we’re happy to see that someone has started her page.

You can help by continuing to develop it. There’s plenty of great information about Nengudi and the Studio Z collective available at the African American Performance Art Archive.

Photos: Senga Nengudi, Ceremony for Freeway Fets, March 1978. © Senga Nengudi.

sfmoma

sfmoma:

BIG NEWS: when our building reopens in 2016, SFMOMA will have the most space dedicated to photography of any art museum in the United States!

· The just-announced Pritzker Center for Photography will allow us to nearly triple the number of permanent collection photographs that are shown at SFMOMA each year.

· The center will feature new special exhibition and enhanced permanent collection galleries, an innovative activity-based interpretive center, and a state-of-the-art print study center.

· As we further expand our commitment to the medium of photography, we are also pleased to announce that our photography collection has grown by more than 500 works since our last Collections Campaign update in 2012 [LINK], bringing the grand total to more than 17,000 works – our largest collection in any medium.

· Representing the pioneering spirit and deep history of our photography program, the Pritzker Center for Photography will make SFMOMA a global destination for anyone with an interest in the medium.

GET THE FULL SCOOP→

Congrats!

Happy Mother’s Day to our friends in the UK! Another Magazine interviewed Abigail and Zahira DeVille.
What has your mother taught you?AD: My Mother has taught me Love. The strength of character that is necessary when you love someone or something. Her unwavering strength has taught me to zero in on what I love and pursue that wholeheartedly.
Read the full interview here.

Happy Mother’s Day to our friends in the UK! Another Magazine interviewed Abigail and Zahira DeVille.

What has your mother taught you?
AD: My Mother has taught me Love. The strength of character that is necessary when you love someone or something. Her unwavering strength has taught me to zero in on what I love and pursue that wholeheartedly.

Read the full interview here.


Postcard from… Joshua Tree by Tim Walker



Along a dirt road in the Mojave Desert just outside Joshua Tree is one of the world’s weirdest sculpture parks. The Outdoor Desert Art Museum of Assemblage Sculpture was created on this seven-half acre square of sand and brush by the African-American artist Noah Purifoy, who moved here from LA in the late 1980s.Scattered across the land in an order indiscernible except, perhaps, to their creator are a strange and alluring artworks made from found materials. Purifoy welded, nailed and otherwise cobbled together bowling balls and bicycles, train tracks and toilet bowls on this site between 1989 and 2004, when he died aged 86.The museum has a post-apocalyptic feel, like somewhere Mad Max might encounter a desert soothsayer or a gang of psychopathic bikers. There’s no entry fee, and no security guards. The sand and the blue sky turn even the most bizarre works to Instagram gold.Purifoy made his name constructing sculptures from the detritus of the Watts Riots in 1965, and some of the works here are similarly resonant: a toilet bowl sits next to a drinking fountain in “White/Coloured”.The installation “Shelter” was built from salvaged scraps of a neighbour’s house that burned down.






Image: "From the Point of View of the Little People," an assemblage by Noah Purifoy, is at the Noah Purifoy Outdoor Desert Art Museum in Joshua Tree, Calif.
Noah Purifoy’s Desert Art Museum is currently on view in When the Stars Begin to Fall: Imagination and the American South.

Postcard from… Joshua Tree by Tim Walker

Along a dirt road in the Mojave Desert just outside Joshua Tree is one of the world’s weirdest sculpture parks. The Outdoor Desert Art Museum of Assemblage Sculpture was created on this seven-half acre square of sand and brush by the African-American artist Noah Purifoy, who moved here from LA in the late 1980s.

Scattered across the land in an order indiscernible except, perhaps, to their creator are a strange and alluring artworks made from found materials. Purifoy welded, nailed and otherwise cobbled together bowling balls and bicycles, train tracks and toilet bowls on this site between 1989 and 2004, when he died aged 86.

The museum has a post-apocalyptic feel, like somewhere Mad Max might encounter a desert soothsayer or a gang of psychopathic bikers. There’s no entry fee, and no security guards. The sand and the blue sky turn even the most bizarre works to Instagram gold.

Purifoy made his name constructing sculptures from the detritus of the Watts Riots in 1965, and some of the works here are similarly resonant: a toilet bowl sits next to a drinking fountain in “White/Coloured”.

The installation “Shelter” was built from salvaged scraps of a neighbour’s house that burned down.

Image: "From the Point of View of the Little People," an assemblage by Noah Purifoy, is at the Noah Purifoy Outdoor Desert Art Museum in Joshua Tree, Calif.

Noah Purifoy’s Desert Art Museum is currently on view in When the Stars Begin to Fall: Imagination and the American South.